the story it tells 2
Abandoned Magic, No.2 Some experiments in videography, performance magic, and autobiography. Practice and Research Project. Abandoned Magic are photographs that…
Abandoned Magic, No.2 Some experiments in videography, performance magic, and autobiography. Practice and Research Project. Abandoned Magic are photographs that…
After three years of pandemic related cancellations and delays, the highlight of the UK Bizarre Magick calendar, Doomsday, returned to…
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling edited by Natalie Neill is now available from Lexington books. The book…
A key element of enquiry for me when working practically in bizarre magick was my role in the creation of…
Historically, the apparent ability to contact spirits has provided a wealth of opportunities for deception by performers. Magicians have had…
“Objects have histories. Some have souls” (Chelman, 1993, p. 65) In many ways, performance magic is about the props, the…
The challenge I have as an academic is that I am both inside and outside of my research. I cannot…
In Spirit Theatre (1986) Eugene Burger when referring to bizarre magick quotes Tony Andruzzi as saying; ‘the number of people…
So what no posts since the 28th September? Well, the simple fact is I realised that I couldn’t write up…
For the next few months I’ll shall be mostly blogging about a research/teaching project that begins in earnest this September. …
I once again had the pleasure of joining Ashton Carter and Roger Curzon in an evening of performance at the…
I attended Doomsday VII last weekend it still remains the highlight of my year. It’s an extraordinary couple of days,…
I’ve had a bit of a holiday, a few weeks away from most things. Just to regroup really and start…
Each year a motley band of dark initiates gather in Whitby for Doomsday. Just in case you don’t know, Doomsday…
I throughly enjoyed the Tales Beyond Borders Conference last week. A wonderful collection of people all with a passionate interest in…