the story it tells 2
Abandoned Magic, No.2 Some experiments in videography, performance magic, and autobiography. Practice and Research Project. Abandoned Magic are photographs that…
Abandoned Magic, No.2 Some experiments in videography, performance magic, and autobiography. Practice and Research Project. Abandoned Magic are photographs that…
“It all makes it difficult to define and declare oneself a magician if one feels one’s practice does not conform…
After three years of pandemic related cancellations and delays, the highlight of the UK Bizarre Magick calendar, Doomsday, returned to…
2023 update: I am now in touch with Diane, thank you for all of the messages! Before the COVIDs really…
A key element of enquiry for me when working practically in bizarre magick was my role in the creation of…
Historically, the apparent ability to contact spirits has provided a wealth of opportunities for deception by performers. Magicians have had…
*The film is now available to watch on the Media of Mediumship YouTube channel* An aptitude for deception is all…
I’m very interested in the notion of the (performance) magic(al) object. Aileen Robinson (2014) in ‘“All Transparent”: Pepper’s Ghost, Plate…
I find it useful to think of performance magic props as a technology. In theatre we often talk about theatre…
The challenge I have as an academic is that I am both inside and outside of my research. I cannot…
The notion of what constitutes the role of the trick in magic performance raises a number of questions, two of…
A transcription of a research seminar delivered 31/03/21 The seminar itself is now live: Thank you for inviting me to…
In a few weeks time I shall be presenting on practice research as part of the Spring 2021 LINES OF…
The New Normal? As I mentioned in a previous post, The Journal of Performance Magic (www.journalofperformancemagic.org.uk) is currently accepting academic…